EL PÚBLICO
BY FEDERICO GARCÍA LORCA VERSION GABRIEL CALDERÓN DIRECTION MARTA PAZOS COMEDIA NACIONAL DE MONTEVIDEO
- ##general.period##:
- 15/01 — 26/01/25
- ##general.room##:
- Montjuïc. Sala Fabià Puigserver
Timetable
Tuesday to Saturday at 19.00 p.m
Sunday at 18.00 p.m.
Running time
1 h 40’
Place
Sala Fabià Puigserver
Language
In Spanish
Price
€12 - €32
Debate
16/01 after the show moderated by Andrea Gumes
Recommended ages
+16
RECOMMENDED SHOW
by the Educational Programme
Booking by laCultivadora
Description
The Galician director Marta Pazos presents with the Comedia Nacional de Montevideo one of the three pieces of 'impossible theater' by Federico García Lorca. A poetic and experiential experience avant la lettre.
El público is like throwing yourself down a slide, and instead of landing your feet on the sand you end up plunging in the worlds lying underneath it, where you may find Roman ruins, a sand wall, a university or Juliette’s grave. It’s a one-way journey. An embrace of mystery. Getting lost to find yourself again.
Not for nothing does it integrate García Lorca’s ‘impossible’ trilogy: it is powerful, dreamlike, unclassifiable. Among García Lorca’s most avant-garde, personal and confessional works, El público is surely one of the most challenging plays for both the artists and spectators.
It is a road trip inside the head of the author, who invites us to immerse ourselves in an ocean of sensations. Written at a time when García Lorca himself was wrangling between the more popular theatre that had garnered him success and a newer and more committed, profound, daring and truthful theatre, El público led him to take a stance as an artist and a person. As I work on the show, I am constantly ruminating on a question: what sphere García Lorca did open with El público?
El público is not a play about the cognitive. It’s like reading an ancient esoteric text. García Lorca is talking about the unconscious. I think it’s written not to be understood but to pierce its audience and talk about parts of them that not even they are aware of. If you throw yourself into this play with your body, it becomes crystal clear.
García Lorca was a magician. Now let’s make some magic.
— Marta Pazos
Schedule
CAST
Eugenia Bideau child
Roxana White prestidigitator, lady
Fernando Dianesi man 2, thief
Joel Fazzi figure of bells, Harlequin costume, student
Mauricio González centurion, black horse
Sofia Lara Juliet, white horse, student
Sofia Mañana lady
Sweet Elina Marighetti white horse, student
Rosary Martinez emperor, white horse, lady
Pablo Musetti man 3, thief
Andrés Papaleo figure of wine shoots, dancer costume, student
Jimena Pérez director Harlequin, lady, silly shepherd
Mané Pérez white horse 1, lady
Gustavo Saffores director
Fernando Vannet man 1, red naked
Florence Zabaleta Elena, white horse, nurse
CHOREOGRAPY
Martín Inthamoussu
SETTING
Marta Pazos
COSTUMES AND MAKE UP
Agustín Petronio
LIGHTING
Nuno Meira
SOUND AND ORIGINAL MUSIC
Hugo Torres
SETTING ASSISTANT
Lucia Tayler
DOCUMENTARY MAKER
Paloma Lugilde
HAIRDRESSER
Heber Vera
MAKE UP
Mavi Amigo
PROMPTERS
Diego Aguirregaray and Cristina Elizarz
ACTING TRAINEES
Eugenia Bideau (EMAD) and Sofía Mañana (IAM)
CURTAINS MADE BY
Zaingó workshop
CURTAIN UNDER THE SAND PAINT BY
Paula Fraile
SET UP MADE BY
Santiago 'Tato' Rebollo
COSTUMES MADE BY
Lucía Silva
AND TEAMS OF THE
Teatre Lliure
PRODUCTION
WITH THE COLLABORATION OF
Teatre Lliure
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